This report examines the known history of crystal skulls, various viewpoints on where they might have came from, and the secrets they may reveal.
The Mitchell-Hedges Crystal Skull
The most widely celebrated and mysterious crystal skull is the Mitchell-Hedges Skull, for at least two good reasons. First, it is very similar in form to an actual human skull, even featuring a fitted removable jawbone. Most known crystal skulls are of a more stylized structure, often with unrealistic features and teeth that are simply etched onto a single skull piece.
Second, it is impossible to say how the Mitchell-Hedges skull was constructed. From a technical standpoint, it appears to be an impossible object which today's most talented sculptors and engineers would be unable to duplicate.
The discovery of this baffling artifact is a controversial matter. It was brought into prominence by British explorer F. A. Mitchell-Hedges, who claimed that his daughter unearthed it in 1924. Mitchell-Hedges led an expedition in the ancient Mayan ruins of Lubaantun, in Belize (then British Honduras), searching for evidence of Atlantis.
The story goes that his daughter, Anna, was rummaging inside a structure believed to have once been a temple, when she found the beautifully carved cranium of the crystal skull. It was lacking its jawbone, but the matching mandible was found three months later, some 25 feet away from the first discovery. Mitchell-Hedges claimed that he refused to take the skull away, and offered it to the local priests, but the Mayans gave the skull back to him as a gift upon his departure.
It now appears that this tale of the skull's discovery was entirely fabricated. Mitchell-Hedges apparently purchased the skull at an auction at Sothebys in London, in 1943. This has been verified by documents at the British Museum, which had bid against Mitchell-Hedges for the crystal artifact.
This revelation is consistent with the known history of Mitchell-Hedges's involvement with the skull. There are no photographs of the skull among those that were taken during his Lubaatun expedition, and there is no documentation of Mitchell-Hedges displaying or even acknowledging the skull prior to 1943.
The skull remains in the possession of the octogenarian Anna Mitchell-Hedges. She resides in Canada and displays the skull on frequent tours. Anna has maintained for all these years that she discovered the skull, even though there is reason to doubt that she was present at the Lubaatun expedition at all.
The Mitchell-Hedges skull is made of clear quartz crystal, and both cranium and mandible are believed to have come from the same solid block. It weighs 11.7 pounds and is about five inches high, five inches wide, and seven inches long. Except for slight anomalies in the temples and cheekbones, it is a virtually anatomically correct replica of a human skull. Because of its small size and other characteristics, it is thought more closely to resemble a female skull -- and this has led some to refer to the Mitchell-Hedges skull as a "she."
The Mitchell-Hedges family loaned the skull to Hewlett-Packard Laboratories for extensive study in 1970. Art restorer Frank Dorland oversaw the testing at the Santa Clara, California, computer equipment manufacturer, a leading facility for crystal research. The HP examinations yielded some startling results.
Researchers found that the skull had been carved against the natural axis of the crystal. Modern crystal sculptors always take into account the axis, or orientation of the crystal's molecular symmetry, because if they carve "against the grain," the piece is bound to shatter -- even with the use of lasers and other high-tech cutting methods.
To compound the strangeness, HP could find no microscopic scratches on the crystal which would indicate it had been carved with metal instruments. Dorland's best hypothesis for the skull's construction is that it was roughly hewn out with diamonds, and then the detail work was meticulously done with a gentle solution of silicon sand and water. The exhausting job -- assuming it could possibly be done in this way -- would have required man-hours adding up to 300 years to complete.
Under these circumstances, experts believe that successfully crafting a shape as complex as the Mitchell-Hedges skull is impossible; as one HP researcher is said to have remarked, "The damned thing simply shouldn't be."
The British Crystal Skull and the Paris Crystal Skull
There is a pair of similar skulls known as the British Crystal Skull and the Paris Crystal Skull. Both are said to have been bought by mercenaries in Mexico in the 1890s, possibly at the same time.
They are so similar in size and shape that some have guessed that one was copied to produce the other. In comparison to the Mitchell-Hedges skull, they are made of cloudier clear crystal and are not nearly as finely sculpted. The features are superficially etched and appear incomplete, without discretely formed jawbones. The British Crystal Skull is on display at London's Museum of Mankind, and the Trocadero Museum of Paris houses the Paris Crystal Skull.
It is currently residing in the British Museum of Man in London, England, and has been there since 1898. It is a one piece clear quartz full size quartz crystal skull.
The Paris Crystal Skull
It is currently residing in the Trocadero Museum in Paris, France. You may notice a slight indentation on the top, which is a hole that was cut into the skull purported to hold a cross.
Mayan Crystal Skull and the Amethyst Skull
Further examples of primitively sculpted skulls are a couple called the Mayan Crystal Skull and the Amethyst Skull. They were discovered in the early 1900s in Guatemala and Mexico, respectively, and were brought to the U.S. by a Mayan priest. The Amethyst Skull is made of purple quartz and the Mayan skull is clear, but the two are otherwise very alike. Like the Mitchell-Hedges skull, both of them were studied at Hewlett-Packard, and they too were found to be inexplicably cut against the axis of the crystal.
Texas Crystal Skull (Max)
A skull known as "Max," or the Texas Crystal Skull, is a single-piece, clear skull weighing 18 pounds. It reportedly originated in Guatemala, then passed from a Tibetan spiritualist to JoAnn Parks of Houston, Texas. The Parks family allows visitors to observe Max and they display the skull at various exhibitions across the U.S.
"ET" is a smoky quartz skull found in the early 20th Century in Central America. It was given its nickname because its pointed cranium and exaggerated overbite make it look like the skull of an alien being. ET is part of the private collection of Joke Van Dietan, who tours with her skulls to share the healing powers she believes they possess.
Rose Quartz Crystal Skull
The only known crystal skull that comes close to resembling the Mitchell-Hedges skull is one called the Rose Quartz Crystal Skull, which was reported near the border of Honduras and Guatemala. It is not clear in color and is slightly larger than the Mitchell-Hedges, but boasts a comparable level of craftsmanship, including a removable mandible.
Brazilian Crystal Skull
This 13.8 pound life-size skull was donated to the museum's Section of Minerals by a Brazilian gem dealer in 2004.
"Compassion" - Atlantean Crystal Skull
A newly discovered Crystal skull that rivals the Mitchell Hedges Skull. Atlantean is what Maya Shaman and elder Hunbatz Men said when he first examined it at the crystal skull conference on 9/9/9.
This skull was in a warehouse in Africa for 22 years and then 7 years in storage in an import store. I found it 11 months ago today. It is human size and it has the removable jaw. It is the same dimensions as the Mitchell Hedges Skull with some added features.
Below: This view is of an Iron Oxide Occlusion between two of the 3 total layers on skull
When examined by a Dr. Minch, 20 year head of Geology dept. at the Natural History Museum in Santa Barbara showed how the front teeth or Maxilla angles to its right! He felt this was one example of a hand carved Skull. "A machine made skull would have been straight."
Letter from Scotty
Ca8sa Grande, AZ
I'm listening to the interview on George Noory's "Coast To Coast AM" radio talk show, and the topic is Max. It jarred my memory a bit. I believe I briefly met and experienced Max during a Phoenix workshop about 10 years ago in a bookstore, after formerly experiencing the Mitchell-Hedges skull. Interesting, I must say.
The emotional responses of observers are because of the purifying/rebalancing energies of the skulls. The soul responds. It would be frightening to someone who lives from fear, but exhilirating to someone who is more open to life. There is the subconscious recognition of the connection with Spirit, and only one's interpretation of his personal experience needs to be feared.
I've heard some statements made during the program that perhaps could be amended to be more accurate. I'm no expert, other than working with Arkansas quartz crystals extensively since the mid-1980s. They taught me what I know about them. I first set them out on the dining table before me night after night and used a pendulum tool to study their "energy flows." Then I was led to put them in patterns to create environmental treatments for varied needs. Crystals do not originate and generate energy, not a one. Rather they act like radio transceivers to "breathe in" crystals at one point (sometimes at one end, sometimes at a spot inbetween) and spiral the energies like double helixes throughout, then "exhale" it at the other end, or elsewhere. I had to get acquainted with each crystal individually this way to map its energy flow. They are as individualistic as humans, but there are patterns that they fall within. For that reason, I have my collection of crystals separated into groups, depending upon their beneficial uses. I think of them with the same appreciation as a magnifying glass that collects sunlight rays and focuses them together for a seemingly stronger, more focused concentration that appears to do miracles.
Imperfections of quartz are not to be overlooked or downplayed. Those are key spots of energy accumulation/release. I would not expect or want to use a perfect, clear quartz tool. It’s the occlusions and "flaws" that give them their specific uniquenesses of application possibilities.
The comment was given on the program: "Max has expanded. He has enhanced my life." That sums it all up perfectly.
No doubt Max hated hibernating in the box so long. Light rays are the lifeblood of quartz. They thrive in the light, just like flowers and we do. Isolation and darkness make them withdraw and go inert.
Anyway, since discovering their properties as tools, not as mystic gods with minds of their own, but as extensions of my own consciousness, I had to learn to control my emotions before handling them so that I didn't keep blowing out light bulbs, etc. They exemplify that adage about giving out 10 times what is received. Their use to purify any form of water is a fascinating attribute of quartz. I use them now in place of bandaids and ice bags when I stub toes and sprain ankles, etc. I put them into patterns, according to the need, and they seem to draw out the excessive energy buildup of tissue damage repair going on within 20 minutes and all is well from there on as if nothing ever happened.
The Mitchell Hedges skull experience was indescribable, even in a public setting. When I had a minute to sit at the card table with Max, the lighting and room conditions seemed out of accord and I experienced no affinity with him. But I have channeled through Spirit to ask about crystal skulls. This is what I was led to believe:
"The skull is a duplication, not a model. It was made by humanoids who were not of this earth. They would be termed Pleiadeans to your knowledge. They extended within another parallel galaxy to your Milky Way as an invisible counterpart of your sixth dimensional existence, like a sister galaxy.
"The skull was actually brought to earth realm fully created. It was teleported along with visitors who came to teach earth mortals about their Pleiadean heritage and purpose for being here, also how the transposition came about. These themselves were experimental tools developed for mortal use. They used the skull for teaching mortals about themselves and their spirit-living-in-earth existence. The skull was displayed for use in expanding mortal awareness of physical life in order to regain understanding of relationship with light-and-sound life forces inherent within the realm. This is the foundation of what you now identify as 'priesthoods.' Thus, the skull was not a religious object of worship, for no such worship existed. Rather, it was a teaching device left with mortals to apply similarly in order to teach future generations and perpetuate satisfactory supra-conscious evolvement.
"There were other such quartz crystal skulls besides this one [the Mitchell Hedges skull] used for various purposes of teaching throughout South America at key areas of cultures. They were brought to key points of location among mankind for use by the Pleiadean visitors to benefit them. These skulls were connectors interlinking the sites, like fingers of one hand. Each functioned individually as well as collectively.
"The skull becomes a tool into your soul's awareness that houses all knowledge of experience. All that is discovered through them becomes applicable to mortal capability that has become forgotten temporarily while in mortal capability that has become forgotten while in the mortal living state. Freedom is possible to be gained, depending upon the state of fears entertained by false beliefs of the person. In truth, there is nothing to be feared by the user. Thus, he must purify himself of his illusionary beliefs in order to gain the benefit. It is a tool for reawakening and reteaching oneself. Limitations of time and space become transcended as he opens awareness to greater realms and the totality of Life permeating his mortal home. ... Mankind must learn how to listen within his own innate sensing channels and to trust himself in that. It is like a helpmate for more direct communication within oneself in totality beyond his mortal identity.
"This is the gist of the crystal skull of quartz. Do not make it become idolized or venerated more than it is designed to be. Do not become enamored with scientific provings and testings of phenomena nor construction. It cannot be explained with the proof that is sought. Science can only test its physical effects of its properties, but what is to be gained by that? Then it becomes a curiosity item."
All I know from my experience is that these are like transportation tools that need the human driver to direct their course of application. They are like orchids in a floral garden that need caretakers so that do not fall into disarray or get lost again. Like everything in Nature, they are like gifts for use to enhance life. Everything I learned about the properties of quartz crystals is likewise applicable to myself. And I believe that is the key to discovering how to attain and retain harmony in a chaotic world.
Casa Grande, AZ
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